The chapter delves into the overlapping themes of the occult in rock music during the 70s, discussing how perceptions varied among individuals and how some bands were targeted for controversial content. It explores the evolution of these themes as the 80s approached, touching on heavy metal, devil worship accusations, and the influence of the PMRC. The discussion also highlights the connections between occult themes in rock music and film, exploring the marketing strategies of bands and the nuances of conveying occult themes in music.
We talk about how the occult was used to promote rock and roll in the long seventies and Matt goes on massive digression about ancient magic and messianic mysticism.