With something like Annie Hall, it seems to me you can forget Woody Allen in a way that you can't when you watch Manhattan. In the case of Manhattan, the work is amplifying what we know of Allen's own life. And then on the other, you have the Cosby show where what we know are so at odds with the character of Dr. Huxtable. So there's a completely different kind of discomfort that arises from that.
What to do with the art of monstrous men? That’s the question Claire Dederer grapples with in Monsters: A Fan’s Dilemma. She wonders whether she can or should continue to love the work of Roman Polanski and Michael Jackson, Hemingway and Picasso? And if it’s possible to divorce the art from the artist.
How do we now view the glorious, technicolour paintings of Paul Gauguin’s works from Tahiti? The writer Devika Ponnambalam has imagined the life of one of his muses Teha’amana in her latest novel, I Am Not Your Eve. Gauguin was 43 when he first arrived on the island in 1891 and made numerous teenage girls his ‘unofficial wives’.
The science writer Michael Bond is interested in the psychology behind fandom. In his book Fans he looks at the pleasure of tribalism and sense of belonging, but also what happens when one’s hero falls short, and the cognitive dissonance needed to continue to stay true to a monstrous genius.
Producer: Katy Hickman