Importance of Sub-Pierds and Pre-Lapse in Creating Creative Choices

Today we’re speaking with William Hoy, ACE, and Tyler Nelson about editing Matt Reeve’s The Batman.

I’ve spoken with both of these editors in the past. William most recently for his work on The Call of the Wild and War for the Planet of the Apes before that. Tyler has long worked with David Fincher, and I’ve spoken to him about editing Mindhunter.

William’s other credits include Dawn of the Planet of the Apes, 300, Watchmen, Fantastic Four and I, Robot. He’s also edited the TV series Star Trek: The Next Generation.

Tyler has also edited the film Rememory and TV series including Shadow and Bone, Tales from the Loop, and Love Death + Robots. He’s also been a visual effects editor or Assistant editor on films like, The Revenant, Birdman, Gone Girl and The Social Network.

Thanks to Frame.io for their support of Art of the Cut and their pledge to keep this content coming your way. Click here to read this interview along with extra content at blog.frame.io, where you'll also find expert guides, tutorials, and insights from veteran filmmakers across the film and TV industry.