Joachim Trier sympathizes with THE WORST PERSON IN THE WORLD
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Cinematically Fun to Shoot
I think we're left with her thinking, i'm going to figure out who i am, and not what how other people look at me. That's a very important thing, i think, absolutely, which we're all struggling with. And, i mean, for julia, it also seems like a big thing. I want to turn to your astronominated screen play. What were the kind of kernel, very cinematic building blocks that you built this mothion? Thank you for asking that. It was a good character scene to set up julie. The moment a character, or the characters come into play, we very, very quickly figure out what of those strange ideas that we
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