
That Ain't Country
Into the Zone
Cultural Segregation and Diversity in American Music
This chapter explores the diverse sounds of American music and how various communities, such as black, Cajun, White Hillbilly, Ukrainian, Polish, Indian, Albanian, Greek, Turkish, African, and Mongolian, contributed to its development. It highlights the blending of different regional elements and discusses the influence of musician Henry Thomas, who bridged the gap between black and white music.
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