Magician, comedian, and consultant Bruce Gold joins us for an enthralling chat about his dynamic journey from a childhood fascination with magic to an influential career in Hollywood. Starting with a magic set he received as a kid, Bruce shares his path through the comedy club scene, where he learned invaluable lessons by observing both triumphs and failures. He talks about the gritty reality of being overworked and underpaid in the early stages of a performer’s career, emphasizing how these experiences helped shape his unique style that blends magic and comedy.
Transitioning from the comedy club circuit to the Hollywood entertainment industry posed numerous challenges for Bruce, which he navigated through relentless networking and adaptability. He shares personal anecdotes about the balancing act of performing magic and stand-up, finding an agent, and eventually carving out a niche in the cruise ship entertainment circuit. This part of the conversation sheds light on the perseverance required to make a sustainable living as a performer, and the strategic choices necessary to avoid being typecast in an industry that often discourages showcasing a diverse skill set.
As the discussion progresses, Bruce delves into the evolution of magic performance, the significance of originality, and the art of developing a compelling stage persona. From the choreographed elegance of Doug Henning to the gritty street magic of David Blaine, Bruce offers a fascinating perspective on how magic has transformed over the years. He shares insights from his role as a talent booker for Franz Harary‘s House of Magic in Macau and provides practical advice on maintaining audience engagement and refining acts. Wrapping up, Bruce highlights the success of his coaching clients and encourages aspiring magicians and comedians to reach out for consulting sessions, underscoring the value of continuous improvement and mentorship in the entertainment world.
Transitioning From Comedy Clubs to Hollywood
Explore the intricate journey of transitioning from being seen as a magician to establishing a financially sustainable career as an actor and comedian. We discuss the challenges faced when first moving to California, where advice often discourages showcasing magic skills to avoid being typecast. By sharing personal experiences, including keeping magic on the down low, performing at comedy clubs, and gradually securing gigs through diligent networking, we uncover the hurdles and strategies for making a living in the entertainment industry. The narrative covers the balance of performing both magic and standup, landing an agent, hosting pilots and game shows, and ultimately finding a niche in the cruise ship entertainment circuit. This chapter provides insights into the perseverance and adaptability required to thrive as a performer in Hollywood.
Developing Originality and Persona in Magic
We discuss the evolution of magic performance, highlighting the shift from the clean, choreographed styles of Doug Henning and David Copperfield to David Blaine’s gritty, urban street magic. We examine the importance of originality in magic, emphasizing how a unique persona like Lucy Darling‘s can make familiar tricks feel fresh. The discussion underscores the role of character in both magic and acting, noting that developing a stage persona is a journey of self-discovery influenced by admired figures. Additionally, I share insights on coaching magicians, identifying common gaps such as reliance on rote performance and encouraging choices that maximize engagement and entertainment. We also touch on exercises to help magicians find their unique style by comparing themselves to other performers.
Maximizing Audience Engagement Through Performance
This chapter focuses on the unique perspective of a performance coach, highlighting the crucial role of external observation in enhancing a performer’s act. We explore how creators, deeply immersed in their work, often miss elements visible to an audience, and how having a trusted outsider can reveal these hidden aspects. Techniques for maintaining audience engagement are discussed, including the “IU” storytelling method, which encourages audience participation and connection. Additionally, we address the importance of viewing the audience as individuals rather than a collective group, and the significance of direct eye contact in fostering a stronger connection. Practical advice for performers, especially those transitioning from close-up magic to stage performance, is also provided to help them understand and master stagecraft.
Endless Chain
Christopher Hart
Jonathan Levit
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