
Joseph Awuah-Darko on Growing Ghana’s Cultural and Creative Renaissance
At a Distance
What Are Your Visions for Noldor and the Institute Museum of Ghana?
I think for me, it was just about normalizing the, I guess, struggle and adversity and reality of how I got to where I am now. So I went back on a very dramatic Covid repatriation flight from London to Accra during the pandemic; then decided that I would be much less passively involved in artists' careers as a collector. Now the reason why I didn't choose to do a gallery is because I have many friends who run amazing gallery programs such as, you know, ada-contemporary in Ghana or Leeson Gallery in London.
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