Art and Evolution in 'Crimes of the Future'

This chapter examines the intricate themes of art, pain, and societal evolution as portrayed in David Cronenberg's film 'Crimes Of The Future'. It discusses the protagonist's struggle with new bodily experiences and the implications for identity and artistic expression in a dystopian world. By contrasting the acceptance of change with traditional human forms, the dialogue reveals deeper insights into the film's commentary on bodily autonomy and the absurdity of artistic intent amidst societal agendas.