When you think about ancient Greek tragedies, you probably think about people in togas spouting stilted, archaic language -- stories written by stuffy playwrights to be watched by snooty audiences.

My guest today argues that this common conception of Greek tragedies misses the power of plays that were in fact created by warriors for warriors, and which represent a technology of healing that's just as relevant today as it was two millennia ago. His name is Bryan Doerries and he's the author of the book The Theater of War, as well as the artistic director of an organization of the same name that performs dramatic readings of ancient tragedies for the military and other communities. Bryan and I begin our conversation with what tragedies are, what this civic, religious, and artistic form of storytelling was supposed to do, how it was created by war veterans for war veterans, and how a civilian classicist ended up putting on these plays for current and former members of our modern military. We discuss how the ancient Greek tragedies depicted the depth and spectrum of human suffering, the intersection of fate and personal responsibility, characters who belatedly discover their mistakes, and the fleeting chance of changing behavior in the light of such realizations. Bryan also explains how the tragedies may have been a form of training for young people on how to grapple with the moral ambiguities that mark adulthood. And throughout the show, we dig into how tragedies, by showing people they're not alone, getting them to confront uncomfortable realities together, and bridging divides, can serve as a transformative technology for collective healing, not only for military veterans, but anyone who's dealt with trauma, loss, and the general confusions and hardships of the human experience.

Get the show notes at aom.is/theaterofwar.