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Episode 381: Ludwig Göransson Talks Oppenheimer

Soundtracking with Edith Bowman

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The Power of First Person Perspective

"I was like, okay, this is going to be a project like nothing else," Ludwig says. "There's a lot of emotions going on this movie and also the scale." The music needs to make the audience feel like they're connecting with him when they're telling that we're in his emotional state, which is a very complex emotional state", he adds.

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