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Mitch Lillian - Key Grip (US)
Team Deakins
The Challenges of Shooting in a Studio
We shot New York City I guess you'd say a brownstone or a townhouse. We shot it up in Westchester County somewhere. In a remote much more remote location just so you can get it. And then you had the opposite problem in Goldfinch where all the sets were so tiny and you had to I guess there was a lot of rigging of the lights outside and things like that. That was a real challenge. Well I do prefer do you prefer studios where you have ultimate control or do you like locations because just thinking of that.
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