Using a Forehide, You Canna Get a Rhythm That Works

With the granular and those eight layers of the piano, some of them were ing, two or three were going through the granular nd. The granular bisy makes them shoot flicks throgh the sample at a kind of round them speeds. And sometimes that, we would have recordings that just sounted awful. You had to keep running it through the granula until you canna got a rhythm that worked. So what's this version we're hearing now, is this listes very, very, very early. It was also as a weird vocal sample force, cause we had never known le choos something like that. N were experimentand with li lots of different

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