The Sketchbook and the Imposter Syndrome

I find it so interesting that even now you can have that question for yourself. It's one way to look at it is that what's the point of making art then the other way to lookAt it is that it's so encouraging that that struggle is ever present this sense of an imposter syndrome is ever present and we always have to negotiate it. We all sort of kind of have to ignore it in a way and find clever ways to ignore it. I'm not sure how light should be because once you think you've arrived then you're want to get somewhere elseYou know there's never there's never an end. What if you get to the end point what do you do?