Craig Leonard, "Uncommon Sense: Aesthetics after Marcuse" (MIT Press, 2022)
New Books in Critical Theory
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The Importance of Defamiliarization in Art Practice
The 1972 performance clearly has very little to do with it formally i mean you cite mokusu saying the artist's desperate efforts to make art a direct expression of life cannot overcome the separation of art from life. If we could have theater performance that was political what bearing does that then have potentially on political action outside? The stock house in case study i take up in the paradigms of anti-art is to try to think about the consequence in our a already automatically made a reference to extensional rebellion.
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