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The Art of Foley: Bringing Slimer & Batman to life

Twenty Thousand Hertz

CHAPTER

Foley and Sound Effects in Films

On their own, some of these sounds might seem exaggerated but once it's melded into a final mix, they tend to fit perfectly. Foley artists don't work in isolation; they often get direction and feedback from other people in the production. The only director I've ever worked with who was very specific and who would come on the stage is David Fincher. There is so much more to Foley than we had time for in one episode. In part two, we're going to explore another room in the studio that we haven't talked about yet - the prop room.

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