The Unconventional Mix of Soderbergh's Music

I've re-watched No Sudden Move a bunch recently. I think it's the best case scenario where it is not a reboot or retelling or remake. The way he shoots and the way he edits, which is essentially hand in hand, like he'll shoot all day and then he'll edit at night on his laptop. And so that you're almost confronted with the fact that usually when you hear drums and popular music, like that's not actually how drums sound if you were standing in front of them. There are parts of this show that don't really get resolved or fully explained. But I like being treated like a grown up and trying to figure this stuff out.