Sally wakes up at dawn and thinks about the book she's currently writing – Pond Life, a fictional biography of two women who live on the south coast of Britain in the years after the Second World War. The book addresses themes of loneliness, disconnection and the consolations and snares of film, art and the imagination. Sally consults her own memorandum, a note to herself and the reader, about the composition of the book; and she reflects on the need for calm, away from the distraction of screens, in the creative process.

Further Reading:

Pond Life will be Sally’s fourth book in her series which follow autobiographical themes and which she prefers to call “anti-memoirs”. The other books are Girl With Dove, published by William Collins in 2018. No Boys Play Here in 2022, and The Green Lady, which will be published this summer. You can learn more about her writing here:

https://sallybayley.com/books

Brief Encounter is a 1945 British film directed by David Lean from a screenplay by Noël Coward, based on his 1936 one-act play Still Life. Starring Celia Johnson, Trevor Howard, Stanley Holloway, and Joyce Carey, it and was hailed as a breakthrough in modern realism. It is now widely seen as one of the greatest films of all time, with its depiction of frustrated love in a repressed and class-ridden society.  It features Piano Concerto No.2, composed by Sergei Rachmaninoff between June 1900 and April 1901 during a period of creative release, following some years of depression and a devastating writer’s block.

Samuel Taylor Coleridge’s Biographia Literaria was published in 1817 in two volumes. Coleridge was a key figure in the introduction of the discipline of psychology into British intellectual life, and his work outlines his theories on imagination, the creative mind, perception, and poetry. He writes:

The primary IMAGINATION I hold to be the living Power and prime Agent of all human Perception, and as a repetition in the finite mind of the eternal act of creation in the infinite I AM.

Mr. Bennett and Mrs. Brown is an essay by Virginia Woolf published in 1924. A furious rebuttal of Arnold Bennett, who had written a critical review of her book Jacob’s Room, it rejects the writers of the Edwardian generation and announces the arrival of modernism. Referring to the revolutionary exhibition by Roger Fry, Manet and the Post-Impressionists, she declares: "in or about December, 1910, human character changed". Modernism, she says, has changed "religion, conduct, politics, and literature"; criticising contemporary ideas of realism, she writes: “What is reality? And who are the judges of reality?"

The producer of the podcast is Andrew Smith: https://www.fleetingyearfilms.com

The extra voice in this episode is Emma Fielding.

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Thanks to everyone who has supported us so far. Special thanks go to Violet Henderson, Kris Dyer, and Maeve Magnus.