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John Seale - Cinematographer
Team Deakins
The Best Editod Cutt, Is the One You Never See
I really do feel that the continuity of movement, motion, of connection, in idit is so closely related to how that flow of the film goes in its final edit. Andt gets down to multible cameras, you know, being able to put in cross shooting cameras that would help that flow,. because it was a perfect cut, a coninuity. There are a lot of editors, after movies that i did years later, in the in a national field, who saidi love being able to cut your stuff because i can do it for performance, not for coninu. That's instinctive, john, I think it might be roger very much.
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