Olan Collardy: Decoding the Craft of Cinematography
Cinematography Salon
How to Bridge the Gap Between Technical and Emotional Elements in a Project
Peter Travers: Your work has this very emotional cinematic, filmic, like humanistic feeling to it. And I think that that's what comes across really, really strongly in your work. Do you throw away technical stuff in order to focus on emotion? Does it kind of work together like in concert for you? Olin: What makes me a good DP is someone who is very pragmatic,. I'm someone who can flex. It took me a while to be able to flex on the higher end because, you know, he was just making shit out of light of blue.
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