66 | Monique N. Matthews On Mentorship and Writing For Hallmark
The Screenwriting Life with Meg LeFauve and Lorien McKenna
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How to Set a Tone in a Movie
"I was told that I had a great voice. And so what I understand that means is that I didn't know why, but I knew character," she says. "So for me saying, okay, is this set in here? That opens me up to say ... it's cane versus able, it's scarf face and my brother's keeper."
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