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[#142] ALCHEMIC SURRENDER: George Soros & the Rise of the Influencing Machine w/ Aaron Moulton, Pt 1

Subliminal Jihad

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The FTCA and the Artist's Union

I don't think is ill intentions in how the FTCA and its participants set out to do what they do. But there is this profile of artists that you described who would have, you know, had great success in the closed society and suddenly is making conservative work in this open society framework. They're going to drop their paintbrush and pick up a computer mouse in order to try to fit in. And so there does become this strange way in which the gatekeepers actually narrow the pool from which we can say our artists are developing from or emerging from. It's more limiting than what we consider the closed society to be.

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