I'd be really grateful if you'd support myself and Paul with his music. You can change your vote, by the way, if you want to. So you've all voted. Counting is happening, as you said there. If there are any more questions, we can take another couple of questions while we're waiting for the final count. All right. I tried. I just tried to memorise it and it was just competing with it. But the arguments coming from the other side were very good, of course. And they basically argued as one might have thought that art is different from the market, contemporary art, artists are different from theMarket. It's like Robert Graves said
What is the role of contemporary art museums today? Are biennales and art fairs platforms for experiment and exchange, or little more than social attractions for the elite? Have collectors become the new curators? Are private and corporate interests in culture at odds with the public good? And ultimately, who is art for? In this debate recorded in Hong Kong in 2012, award-winning documentary film-maker, author and art critic, Ben Lewis, and Hong Kong-born artist, Paul Chan, spoke for the motion. Former Director of Sydney’s Museum of Contemporary Art, Elizabeth Ann Macgregor, and conceptual art pioneer, Joseph Kosuth, spoke against the motion. Our chair was the writer, art market expert and author, Georgina Adam.
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