The writer-composer behind the viral Slam Frank (an Anne Frank musical staged as if by the most social-justice-forward regional theater) explains why he pushes rules to their reductio ad absurdum and why “art should lift up the people who are beneath me.” Fox walks through a contentious table read, a Change.org backlash, and the joy/rage of crafting Hamilton-esque bangers like “The Day My Daddy Puts Us Into Hiding.” He argues the show’s point is to expose how prescribed language and forced diversity can dehumanize artists and audiences alike. Also: a Gist etymology on “jawboning,” from Samson’s weapon to Galbraith’s 1960s coinage and today’s First Amendment fights. Produced by Corey Wara Production Coordinator Ashley Khan Email us at ⁠⁠⁠⁠thegist@mikepesca.com⁠⁠⁠⁠ To advertise on the show, contact ⁠⁠⁠⁠ad-sales@libsyn.com⁠⁠⁠⁠ or visit ⁠⁠⁠⁠https://advertising.libsyn.com/TheGist⁠⁠⁠⁠ Subscribe to The Gist: ⁠⁠⁠⁠https://subscribe.mikepesca.com/⁠⁠⁠⁠ Subscribe to The Gist Youtube Page: ⁠⁠⁠⁠https://www.youtube.com/channel/UC4_bh0wHgk2YfpKf4rg40_g⁠⁠⁠⁠ Subscribe to The Gist Instagram Page: ⁠⁠⁠⁠GIST INSTAGRAM⁠⁠⁠⁠ Follow The Gist List at: ⁠⁠⁠⁠Pesca⁠⁠⁠⁠ ⁠⁠⁠⁠Profundities | Mike Pesca | Substack⁠⁠⁠⁠

Zinc: Duality, Folk Melodies, and Recycling

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