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Exploring 'Meta' in Film and Beyond
This chapter dives into the concept of 'meta' in cinema, using 'Scream' as a key example of self-referential storytelling. The speakers examine how the film humorously critiques horror tropes while also discussing broader applications of 'meta' in literature and business conversations. Through various examples like 'Rosencrantz and Guildenstern Are Dead,' they clarify the distinctions between 'meta' and 'ironic' and prompt reflections on layered meanings in communication.