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HoP 255 - Andreas Speer on Medieval Aesthetics

History of Philosophy Without Any Gaps

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The Contexts of Medieval Art Objects

This chapter explores the different contexts in which medieval art objects were situated, emphasizing the importance of considering their original context for proper interpretation. It highlights how medieval art was more performative and interactive in its original setting, compared to being observed in a museum. It proposes that understanding this perspective can offer interesting insights for contemporary theories of aesthetics.

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