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Greg Frazier and the Making of Let Me In
There's always a thing where the idea was to never shoot the part of the shop that you really didn't want because then nobody in post could go in and say like, you've got it. Let's use it. And so yeah, there are definitely times when you want to make sure you don't, if you have it, you have it and then you don't want to move on. It usually is, if you know what you're doing, much better to do it that way. Yeah. You know, I had never really worked with children before extensively. So I thought this is new for me too. We shot eight hour days because it was a certain kind of budget