The 100 Is Sub Stack Meets Masterclass Meets the Economist Meets the New Yorker

The 100 is sub stack meets masterclass meets the economist. Do you know what that means? Yeah, it's weird because that was my pitch for Semaphore. When you're trying to create something like the hundred or Semaphore or whatever, what's the most important thing to avoid? Obviously, this reeks of three spoiled wealthy kids who are looking to something to fill the void in their life.