Are AI-Powered Schools Turning Classrooms into Dead Spaces?

It's been six months since our last all-Hell episode! In honor of Halloween season, we take a long journey into the very scary Fresh AI Hell mines. Topics include terrifying uses of AI in education, scientific research, and politics — plus, some delicious palate cleansers along the way.

AI bubble: bigger than dot-com bust?

No one wants to pay for ChatGPT

Meta lays off 600 from AI unit

AI data centers: an even bigger disaster than we thought

Public universities anticipate data center-driven power outages

Chaser: Deloitte has to pay back Albanese government after using AI in report

"AI" schools are "dead classrooms"

Fake sources in "ethical AI" education report

Parents letting kids play with AI

Startup sells 'synthetic influencers'

AI-powered textbooks fail to make the grade

Chaser: "High-reliability" AI slop

Nature offers "AI-powered research assistant"

AI bots wrote all papers at this conference

"AI" reviewing at AAAI

AI medical tools downplay symptoms in women and POC

Therapists are secretly using ChatGPT

Chaser: Microsoft blocks Israel's use of its technology

German initiative uses "AI" for voter education

Police gunshot detection mics will listen for human voices

SF's AI chatbot for RV dwellers

Cuomo campaign posts racist AI slop

DHS Ordered OpenAI To Share User Data

Chaser: LA County moves to limit license plate tracking

A new form of eugenics

"AI Superintelligence" prohibition letter

Emad Mostaque's LLM blurbs

Prizes must recognize machine contributions to discovery

Chaser: The hot new trend in marketing: hating on AI

Check out future streams on Twitch. Meanwhile, send us any AI Hell you see.

Our book, 'The AI Con,' is out now! Get your copy now.

Subscribe to our newsletter via Buttondown.

Follow us!

Emily

• Bluesky: emilymbender.bsky.social
• Mastodon: dair-community.social/@EmilyMBender

Alex

• Bluesky: alexhanna.bsky.social
• Mastodon: dair-community.social/@alex
• Twitter: @alexhanna

Music by Toby Menon.
Artwork by Naomi Pleasure-Park.
Production by Ozzy Llinas Goodman.