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‘Flee’: Using animation to protect an Afghan’s identity

The Business

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'Cabul in the Eighties'

i was given this testimony by a men, and it's a real story. So to me, it wouldn't make sense if afganis didn't feel like cabul in the eighties. And at the same time, i saw court you sudenly, we tried true to the emotion rather than being realistic about what happened. But therse times and the film, and there's times in the testimony where you can sense that a mine boice cind of change when he starts to talk about something that's dramatic. That was really powerful, and something we could do with the animation that wouldn't be able to do with er witliveacking cameras which, yo, cant dive

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