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Larry Sher - Cinematographer
Team Deakins
The D.I.
"I've rarely found a director that is willing to sort of like, oh, great. Now's the chance to discover what the movie is going to look like," he said. "It's hard to rethink the movie and change it after six months' editing." The film was shot on Alexa 65 cameras in large format because studio wasn't on board.
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