100 years ago this month, the vampire film Nosferatu was released in Germany. Not long after, it was hit with a lawsuit – which the filmmakers lost – and every copy of the film was to be destroyed. At least one copy managed to survive, and decades later, Nosferatu became a worldwide classic. Part of what’s kept the film alive has been live orchestras who infuse this old vampire film with fresh blood and original scores. I talk with Philip Shorey of The Curse of the Vampire orchestra and Josh Robins of Invincible Czars about their different approaches to writing music for Nosferatu and how audiences have reacted to them. I also talk with Carnegie-Mellon professor Stephen Brockmann about which aspects of vampire lore originally came from Nosferatu as the filmmakers tried to change the Dracula story enough so they could avoid blood-sucking lawsuits.  

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