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ActionSpace: Nnena Kalu

Talk Art

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The Practice of Nena and the Dance of Yesas Night

Nina's first eight to ten years were very much a kind of trial and error. When ceri camed started working with us, i said we need bigger opportunities. We need more space. So anywawe, we developed these sight specific installations er in empty shops. A lot of my job is about trying to support nein - making sure she can do what she needs to do. And that's what's so important. O you talked about rapping nen. Yes, yes, yesas night. I've actually heard you scribe her as the queen of wrapping filts. Like there are kind of two, three kind of sides to her practice of where she

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