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Roni Horn

Talk Art

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Colour in Glass: A Different Experience

I think of all my work primarily as drawing, you know, even the photophotography. Editing and composing is a lot of drawing activity in these processes. I just am using colour based on the mechanical properties of the pigment I'm working with. It's really about context colour, but also I love the cultural specificity of colour. With Fujikrome, Kodakrome, Agfa from Germany, Ilford from England, the colour range is completely different. Fuji is very high saturated. You see it in Asian printing as well. They tend to saturate colour and they want contrast and clarity. Whereas let's say the Dutch and the English, there's more presence about the

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