
Last Night in Soho with Edgar Wright and Phil Lord (Ep. 328)
The Director’s Cut - A DGA Podcast
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Film Effects in the Movies - Cop Te Tak Hing
Ana ana has to do the coreography, and then when thomason has to the coography, she has to look at a different eyeline. But otherwise you'd be seeing the back of her head. So there were tricky things there where she cannot, had to have different lenses. She's giving this amazing performance on top of it, and she's 18. It's kind of extraordinary. I mean, that's what i really appreciate about the movieit i often think that our job as film makers is to be really unreasonable and not make things convenient. And it seems like a very inconvenient movie to make. But then you pull off these incredible hat tricks that that give me
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