She came from a family that was considered slightly grander than most families in the village. And one reason for that was because she had more money, a at easieuntill a certain juncture. Her mother would take her out into the woods to see a fungus. She had this sort of double way of seeing the world, the abstracted, so called scientific way and the immediate way.
Melvyn Bragg and guests discuss one of the outstanding French writers of the twentieth century. The novels of Sidonie-Gabrielle Colette (1873 - 1954) always had women at their centre, from youth to mid-life to old age, and they were phenomenally popular, at first for their freshness and frankness about women’s lives, as in the Claudine stories, and soon for their sheer quality as she developed as a writer. Throughout her career she intrigued readers by inserting herself, or a character with her name, into her works, fictionalising her life as a way to share her insight into the human experience.
With
Diana Holmes
Professor of French at the University of Leeds
Michèle Roberts
Writer, novelist, poet and Emeritus Professor of Creative Writing at the University of East Anglia
And
Belinda Jack
Fellow and Tutor in French Literature and Language at Christ Church, University of Oxford
Producer: Simon Tillotson