There's this deep reverence for axe heads which emerges through your work. They were in your Venice show, you've made lots of smaller works with them. So they're so ancient that you would think they had a crude massive value but one of the things about them is that they remain somehow ordinary in their incredible specialness. In Venice we had two axe heads from the Museum of London collection. One was very smooth and almost like a status object. It may have been a status object thrown into the Thames as an offering. The other one fitted into your hand so ergonomically and made that connection to that person that had made it or used it a third of a million years ago officially not

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