Composer Nicholas Britell on The Music Of Moonlight, 12 Years A Slave & Vangelis
Soundtracking with Edith Bowman
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The Chopped and Screwed Music
I had been in a hip-hop and so I had actually done a lot of audio experimentation and production work, but I hadn't had any direct familiarity with chopped and screwed itself. When I started talking to Barry about it immediately I knew what to do just because I had done sort of similar But what was fun was when he told me about his passion for it basically We had this idea of what if we did that to the score to the instrumental Classical score Because I think Barry very new early on and felt that he wanted an instrumental Score So I don't think that was a mystery in that sense.
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