I wouldn't say it was the very last period where the country thrived. But what is certainly true, and Alan mentioned this, and also Noel mentioned it, it was one of the last times where there was a genuine wellspring of working class talent. And that certainly changed, I think, the inequities of society have become very black and white. Those pockets of creativity, those little sort of biddages and ghettos and communities, they're not as powerful. London needs lots of young people to come back to London and start breaking things. That's where culture comes from.
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1995 was the year of the Nineties, according to author and journalist Dylan Jones. It was peak Britpop (Oasis vs Blur), peak YBA (Tracey Emin’s tent), peak New Lad (Nick Hornby published High Fidelity, James Brown launched Loaded magazine, and pubs were finally allowed to stay open on a Sunday). It was the year Radiohead brought out The Bends, Danny Boyle started filming Trainspotting, Alex Garland wrote The Beach, and Tony Blair changed Clause IV after a controversial vote at the Labour Party Conference. Jones reflects on it all in his new book, Faster Than a Cannonball: 1995 and All That, which features interviews with the key players from the decade, including Noel and Liam Gallagher, Tracey Emin, Goldie, David Beckham and Alastair Campbell. Our host for this discussion is the writer and curator Ekow Eshun.
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