How to Succeed With Melodic Work

Rado: I would definitely start with me, right, though, being the very first poison pattern and have all of the patterns just have me. leveling them up as they're playing the game could be adding more pitches, making the tone set larger. So there's lots of ways you can scaffold this work. Rado: The important thing with melodic work is to really think about what your students are ready for.