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Jazz Production
I want to open the bass case and say, this night I'm going to sound like last night because the sound was perfect for me. That's what I get my students to understand. And is not everybody's like that, right? Well, I think that they got caught up in other things of the instrument. Right. The feel of it, that every little scratch and sound... I like that feeling. But there's something about the rawness of jazz production, certainly early on. Sure. Where you're not screwing with it, you know, you want to get the pure sound. Absolutely.