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Not All Propaganda is Art 7: Manufacturing Dissent

Benjamen Walker's Theory of Everything

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Dissent and Expression in a Capitalist Era

This chapter explores the challenges faced by dissidents in accessing communication within a capitalist framework, contrasting historical and contemporary expression methods. It highlights the significance of the university as a venue for dissent while analyzing Kenneth Tynan's role in documenting the Beat Generation and Brecht's influence on theatre. Through the lens of Cold War dynamics, the narrative examines cultural exchanges between East and West Berlin, alongside Tynan's critical reflections on theater's relationship with politics.

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