I would say I was really going more for the small guilt I feel for just looking. It's more of a voyeuristic need to see how people live. And when I do, it's usually like I said from my own parents or sister. No, not for my job. But it's more the guilt of like I'm like, I feel like I'm violating their space.
David and Tamler are pulled into Ursula K. Le Guin's "The Ones Who Walk Away from Omelas." Omelas is a truly happy city, except for one child who lives in abominable misery. Is that too high a moral cost? Why do some people walk away from the city? Why does no one help the child? Why does Le Guin make us create the city with her? Plus, we talk about our listener meetup in Vancouver, and a new edition of [dramatic music] GUILTY CONFESSIONS. Note: if this episode strikes you as too puritanical, then please add an orgy.
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