Exploring consumerism, capitalism, and representation in Barbie's Dreamhouse Adventures

Hannah Long, Leah Libresco Sargeant, Alastair Roberts, and Susannah Black Roberts discuss the Barbie Movie.

Does it have a moral? What is Gerwig trying to say about feminism, men and women, capitalism, and so on? Is it a confused mess or deeply insightful?

The primary problem that the movie is designed to critique is the deeply unsatisfying nature of contemporary masculinity and femininity, and the poverty of the “Girlboss” as a model for female adulthood.

But what does it offer as an alternative? Is there a vision for a way forward for Ken as well as Barbie? And what does it imply about the disembodiment of contemporary life?