HOME INVASION pt 10: A Clockwork Orange (1971) The Last House on the Left (1972)
The Evolution of Horror
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Lost House on the Left
The majority of what we get in terms of what we're shown is on Marie's face, right? Like it's that famous shot where David Hess is on top of her and it's in it. And it doesn't focus on, oh, look at her body or look at this happening and doesn't sensationalise anything. There's something much more, again, just really sad, I think, in Lost House on the Left. It is sad. You've also got David Hess. He did this kind of series of ballads, which also had a real kind of undercurrent of sorrow, sadness to it. But I do think the way it was portrayed has a level
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