How It Ends

i wish that every great artist would make their stems, their files, accessible to everybody. It's the sum of the parts that sounds great. i've been lucky enough to have access to some stems of some of my favourite songs and they're pretty bad. The pianois a little out of tune, te, there's a high noise floor. But it's the glue, it's the combination of everything that sounds so beautiful. And i think we've definitely heard that with how it ends. Ofto, blast the master round off how it ends, and then we'll move on to another song.

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Thanks to SoundBetter for supporting this episode of Tape Notes.

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In this milestone 100th episode of Tape Notes, John is joined by the Finneas at Lightship95 Studio, to talk about how he wrote, recorded and produced his album ‘Optimist’ and his new single ‘Mona Lisa Mona Lisa’.

Reflecting on the fluidity of his writing process, Finneas talks us through the varied methods and circumstances in which his tracks took shape, from the very first synth sounds that kick-started ideas, to the detailed sonic decisions that helped each element work towards a cohesive goal.

Alongside the production masterclass, Finneas looks back on his career so far, discussing his family’s involvement with his music and the impact they’ve had on his creativity. We hear stories from the early days of making music videos with his mum, vocal mic shootouts with Billie, and the essential advice that he still lives by.

Listen to find out why mediocrity isn’t a bad thing, how finishing a song isn’t too dissimilar to finishing a meal, and why the correct way to do something isn’t always the correct way.

Tracks discussed: How It Ends, Medieval, Mona Lisa Mona Lisa

LINKS TO EVERYTHING TAPE NOTES

linktr.ee/tapenotes

Listen to ‘Optimist’ here.

Listen to ‘Mona Lisa Mona Lisa’ here.

OYOY Inc, Interscope Records

Intro Music - Sunshine Buddy, Laurel Collective.

GEAR MENTIONS

Arturia Farfisa

Output Analogue Strings

FabFilter Twin 2

Spectrasonics Trilian