What makes sounds “religious”? How are communities shaped by the things they hear, play, or listen to? This book foregrounds connections between sounds, bodies, and media in the private and public life of communities beyond the Global North, analyzing diverse configurations of the category of sound and various sonic ontologies to usher in a more inclusive global anthro-history of religious sounds.
Religious Sounds Beyond the Global North (Amsterdam University Press, 2024) implements a “sonic turn” in the study of religion by engaging with a diversity of auditory, musical, and embodied practices. Dislodging the Global North as the main point of reference for studies on religious sound, in this volume editors Carola E. Lorea and Rosalind I. J. Hackett propose an acoustemology of the post-secular with an emphasis on Asia as method. Unsettling and expanding existing discussions on senses, media, and power, the editors present religious sounds as co-creating subjectivities and collectivities that coalesce around audible aesthetic formations, demonstrating that religious sounds are not only produced by certain religious traditions but also produce communities, shaping the self and sensitivity of those who participate.
Carola E. Lorea is Assistant Professor of Rethinking Global Religion at the University of Tübingen. She worked as a research fellow at NUS Asia Research Institute, International Institute for Asian Studies, Gonda Foundation, and Südasien-Institut (Heidelberg). Her first monograph is Folklore, Religion and the Songs of a Bengali Madman (2016).
Rosalind I. J. Hackett is Extraordinary Professor, Desmond Tutu Centre for Religion and Social Justice, University of the Western Cape, South Africa and Chancellor’s Professor Emerita and Professor Emerita of Religious Studies, University of Tennessee. She is Past President and Honorary Life Member, International Association for the History of Religions.
Khadeeja Amenda is a PhD candidate in the Cultural Studies in Asia programme at the Department of Communication and New Media, National University of Singapore, Singapore.
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