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The Pharmacology of Pornography with Janice Griffith

The Hamilton Morris Podcast

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The Segregation of Filmmaking

Sometimes we'll shoot with no cuts And it'll be really fun and intense and passionate and like But the camera just will move around us and work with us. Because we're professionals We automatically open up to the camera a little bit or we know what already looks good. It just depends on the set some of them are really sterile and they're like, okay We want seven minutes of doggy and then This  and then they'll pull up a key shot that they're gonna use for an ad. So it you know it just depends.

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