88 | Alex Kurtzman & Jenny Lumet: Why Destabilization Is Essential For Your Writing
The Screenwriting Life with Meg LeFauve and Lorien McKenna
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Directing a Pilot
"I knew from the beginning that i really wanted to put the audience in his shoes visually," Ono said. "Having had the time to build those scripts during the pendemic, you you know, it afforded us more opportunity than we usually have to ly imagine how these things would get shot."
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