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BPS 175: Making El Mariachi and Troublemaker Studios with Elizabeth Avellán

Bulletproof Screenwriting™ Podcast

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I've Defended Robert's O Many Times, Cause I've.

I've studied robert in depth, especially during that period of time i was es. Of course, he's wonderful, yet toto to so to my understanding, when columbia got it, ah, they obviously re mastered, they went back to the print,. But the sound is what cost them a good amount of money to reduke as you hadt be done everything. He would go up and redo the whole scene for sound after, after was shot. Andi know the sony very well. So i edit it on the exact same machine he editid on on three quarter inch. It's three quarter inch cause, you for beta, that was really expensive,

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