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Artists and climate action; US National Gallery of Art’s women artists fund; Paula Modersohn-Becker

The Week in Art

CHAPTER

The Echoldis Boar

She needs admission to the Echoldis Boar through a portfolio of drawings which she's left behind in Vorpzweder. So what she does is she can take extra mural classes that they called this Boar so she does that as well. She records in her diary all them amazing art she sees and loves Manet,. Courbet, Siquino Naudion Redon among others. But crucially also she goes to the Louvre. What she really loves in the Louvre are the Egyptian mummy portraits, the Phayan portraits. They're very simple but their immediacy reaches across time. And you can really track the relationship between those those Egyptian mummy portraits and her

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